THE REAL KAMA SUTRA:
MORE THAN AN ANCIENT SEX MANUAL.
MORE LIKE “SEX AND THE CITY” CIRCA 300 A.D.
Mention the Kama Sutra, and everyone knows it’s ancient
India’s racy sex manual. The very title conjures up
titillating visions of erotic frescos with regal maharajas
cavorting with naked bejeweled nymphs in positions exotic
enough to throw out the back of a yoga master. But for all
the Kama Sutra’s notoriety, few Americans have ever read
it—not even the “good parts,” the sexual positions that
made the book famous, but account for only one-quarter of
its length (46 of 172 pages). To the extent that Americans
have dipped into the Kama Sutra at all, most have explored
it via derivative products, books, videos, and board games.
(See end of article for the best).
Meanwhile, even those few who have read the major English
translation of the Kama Sutra have not fully appreciated
the book because that translation—how can I put this
delicately? Well, it sucks. It dates from 1883 and was
published just once in the U.S., 40 years ago in 1962.
Richard Burton, the British army officer responsible for
it, was the Editor from Hell. He altered the text
considerably to shoehorn it into Victorian views about
sexuality, notably the then-popular notions that only men
experience sexual desire and pleasure, and that women are
nothing more than the passive recipients of men’s lust. The
real Kama Sutra holds much different—more
contemporary—views.
Happily, some 1700 years after it was written, the
English-speaking world is about to get its first glimpse of
what the real Kama Sutra says, thanks to a new translation
that rights the many Burton’s wrongs, and reveals the Kama
Sutra for what it truly is, more than a manual of sexual
positions, but rather a guidebook for cultivating an
eroticized life. It’s “Sex and the City” circa 300 A.D.,
only the focus is on men instead of Sarah Jessica Parker
and her girlfriends (though some of the text is clearly
intended for fourth-century Indian women).
The new translation reveals a Kama Sutra in some ways
remarkably modern and progressive: Women are as sexual as
men, and men should work to provide women with erotic
pleasure, including orgasms. But before you embrace the
Kama Sutra as your new sexual Bible, be forewarned. Some of
what it says is controversial: Adultery is a fact of life
and it’s all right, even fun—for men only—as long as the
women’s husbands don’t find out. Some of the Kama Sutra is
callous and repugnant: If a woman persistently refuses a
man’s advances, he is justified to rape her. Perhaps most
remarkable, the Kama Sutra’s vaunted sex advice is
surprisingly tame. For example, the book expresses
considerable ambivalence about oral sex, a popular element
in modern lovemaking.
The new translation (Oxford University Press, $26) has been
compiled by Wendy Doniger, 61, a professor of the history
of religions at the University of Chicago, and Sudhir
Kakar, 63, an Indian psychoanalyst and senior fellow at
Center for Study of World Religions at Harvard. They
returned to the original Sanskrit, and produced a
translation at once more honest and more erotic than it’s
Victorian predecessor. They also include copious notes that
place the text in its historical and linguistic context,
like an annotated edition of a Shakespeare play. I doubt
the Doniger-Kakar Kama Sutra will make the bestseller list,
but if you’re a serious student of sex, or of India, or if
you and your honey want to read each other a different kind
of pillow book, the new translation is fascinating,
thought-provoking, and occasionally even amusing.
TREATISE ON SEXUAL PLEASURE
Kama Sutra literally means “treatise on sexual pleasure.”
Unlike the Christian view that the sole purpose of sex is
procreation, in the fourth-century Hindu world that gave
birth to the book, the cultivation of sexual pleasure,
independent of procreation, was considered one of life’s
highest callings. The ancient Hindus believed that life had
three purposes: religious piety (dharma), material success
(artha), and sexual pleasure (kama). All three were equal,
and the erotic was celebrated as the seat of earthly
beauty. In the Hindu world of that era, the pursuit of
sexual pleasure was revered as a sort of religious quest.
Imagine a world where making love was just as important as
going to church on Easter. As a result, the Kama Sutra’s
erotic passages are vastly outnumbered by those with a
sober tone. It’s intended audience probably viewe it the
way new car buyers consult Consumer Reports.
The Kama Sutra was written by one Vatsyayana Mallanaga,
about whom nothing else is known. However, from the text,
it’s clear he was upper class. He takes servants for
granted, and assumes his readers have the leisure time to
seduce virgins and other men’s wives, and the money to buy
the gifts he recommends giving to do so. Vatsyayana also
claims to have written his treatise “in chastity and
highest meditation.” It’s hard to know what to make of
this. Some commentators have scoffed that given the subject
matter, this seems highly unlikely. But considering the
reverence with which the ancient Hindus approached matters
sexual, it’s also possible that Vatsyayana wrote his book
with the gravity of say, a modern art critic discussing a
cache of just-discovered erotic paintings by Picasso. We’ll
never know.
The Kama Sutra may be the ancient world’s most famous sex
book, but it was by no means the first. The Chinese had sex
manuals 500 years earlier, and Ovid’s Ars Amatoria, a
handbook for courtesans, preceded the Kama Sutra by some
200 years. The Kama Sutra is not even the first Indian sex
guide. Vatsyayana mentions several sages who trod his
erotic path before him. What makes the Kama Sutra unique in
world literature is that it’s the first comprehensive guide
to living an eroticized life, a Joy of Sex meets Miss
Manners.
The sexual culture the Kama Sutra depicts is to some extent
like our own. While it describes girls and women as
dependent on their fathers, husbands, and adult sons in the
manner of many Arab women today, it also grants women
independence and freedom of movement Saudi or Pakistani
women can only dream of.The women of the Kama Sutra have
family responsibilities, but they also live their own
lives, including love lives. While their wealthy fathers
and husbands were running businesses and the government—not
to mention having affairs—young women were often free to
date men and select their own husbands, and married women
were free to select lovers and entertain them.
LIFE AS A PLAY IN SEVEN EROTIC ACTS
The Kama Sutra is organized in seven sections that track
men through life. In Book One, the bachelor sets up his
pad. In Book Two, he perfects his sexual techniques. This
is the book that has inspired the videos, games, and
everything else that flies the Kama Sutra flag. In Book
Three, our young man seduces a virgin. In Book Four, he
marries and sets up a household for his wife and servants.
By Book Five, he has grown sexually bored with his wife,
and turns to seducing other men’s wives. Eventually, as he
ages, the effort necessary for such dalliances loses its
charm, so in Book Six, he takes up with courtesans, who
work to please him—but for a price. Finally, in old age, he
fears he is losing his potency and attractiveness, so Book
Seven contains recipes for herbal potions to preserve them.
Although Vatsyayana was a man writing for men, some of the
Kama Sutra speaks directly to women: Book Three tells
virgins how to attract husbands. Book Four instructs women
how to be good wives. Book Six deals with the skills
required of courtesans—including how they should provide
for their own old age by stealing from their patrons. This
information may not seem odd until you realize that in
fourth-century India, few if any women could read. It’s not
clear how they obtained the Kama Sutra’s information. But
apparently, at least some did. Presumably literate men in
their lives read it to them, as clergy a few centuries ago
read the Bible to illiterate congregants.
Of the Kama Sutra’s seven sections, Books Two through Five
are the most interesting—unless you have a mistress, in
which case Book Six is worth a look.
Book Two, the sex manual, recognizes women as full, lusty
participants in sex, and exhorts men to learn ejaculatory
control to last long enough to bring them to orgasm: “Women
love the man whose sexual energy lasts a long time. They
resent a man whose energy ends quickly because he stops
before they reach a climax.” Apparently, Vatsyayana didn’t
know that many women never experience orgasm solely from
intercourse no matter how long it lasts. Nonetheless, the
Kama Sutra is very attentive to women’s pleasure, a view
that arrived in our culture only a few decades ago, a view
still lost on many men.
Book Two also instructs men to treat women in such a way
“that she achieves her sexual climax first.” How can a man
do this? By following Book Two’s extensive discussion of
the fine points of what today we called
“foreplay”—embracing, kissing, and other types of touch
calculated to heighten sexual arousal. The Kama Sutra gets
a little wild here. It touts slapping and spanking with
accompanying shrieks and moans, and is particularly
enamored of scratching and biting: “There are no keener
means of increasing passion than acts inflicted by tooth
and nail.” It even sings the praises of scars caused by
erotic scratching. It considers them advertisements of
erotic prowess: “Passion and respect arise in a man who
sees from a distance a young girl with the marks of nails
cut into her breasts.”
Book Two advocates use of sex toys, and suggests sex while
bathing. It also describes how a man can best satisfy two
women at the same time (fondle one while having intercourse
with the other), and how two or more men should comport
themselves when sexually sharing one woman (take turns
having intercourse, and while one is inside her, the others
should fondle her).
Earlier I mentioned the Kama Sutra’s unexpected aversion to
oral sex. Vatsyayana declares, “It should not be done
because it is opposed to the moral code.” But apparently,
he understood that ancient Indian men enjoyed blowjobs as
much as men do today. After condemning oral sex, he
provides elaborate instructions to women how to perform
what the Kama Sutra calls “sucking the mango.” Then
Vatsyayana reiterates his condemnation of oral sex, saying
it should be enjoyed only with “loose women, servant girls,
and masseuses” with whom a man “does not bother with acts
of civility.” Finally in an ambivalent aside, the he allows
that some men enjoy sucking each other’s mangoes, and that
some even perform cunnilingus: “Sometimes men perform this
act on women, transposing the procedure for kissing a
mouth.”
In Book Three, the Kama Sutra insists that men who seduce
virgins do so very tenderly. It advises courting a virgin
for many days before bedding her. The suitor should engage
her in interesting conversation, shower her with gifts,
play board games with her, and work to win her trust, all
the while remaining sexually abstinent to set her at ease.
As the big moment approaches, he should send her little
sculptures of goats and sheep with major erections. If she
takes the hint, she should signal her willingness by
flashing him—“revealing the splendid parts of her body.”
Finally, they make a date to meet and have sex.
But tenderness toward women goes only so far in the Kama
Sutra. If a virgin is unwilling to go all the way, men are
instructed to have a brother ply her with liquor, and “when
the drink has made her unconscious, he takes her
maidenhead.” Today we call that rape. In the Kama Sutra’s
view, rape is acceptable not only for reluctant virgins,
but also for other women: “A man may take widows, women who
have no man to protect them, wandering women ascetics, and
women beggars...for he knows they are vulnerable.....”
The Kama Sutra devotes only nine pages to the care of wives
in Book Three, but almost three times the real estate, 26
pages, to Book Four, the seduction of other men’s wives. It
exhorts wives to be doting, dutiful, careful managers of
servants, and always well-mannered, well-dressed, and
faithful. But it also assumes that wives eventually bore
their husbands. As a result, a man is perfectly justified
in seducing other men’s wives, who are exciting,
challenging, worthy of indefatigable pursuit, and great fun
in bed. If a wife discovered that her husband had been
unfaithful, she was over a barrel. In fourth-century India,
she couldn’t leave him as a modern woman might. She was
obligated to remain dutiful. But the Kama Sutra allows her
to be “mildly offended” and “scold him with abusive
language.” However, she was forbidden to resort to “love
sorcery,” i.e. herbal potions, to win him back, presumably
because that might ruin his well-deserved adulterous fun.
When it comes to seducing other men’s wives, the Kama Sutra
is not above a little shameless self-promotion either. It
asks: Which men are the most successful? Those “who know
the Kama Sutra.”
The Kama Sutra’s matter-of-fact acceptance of infidelity is
tempered by only one caveat: Men were not to go that route
if it was likely to “bring disaster,” i.e. violence or
financial reverses. To prevent disaster, the Kama Sutra
lists women who should be avoided, notably those who are
“well guarded or with their mothers-in-law.” Once a man
selected an eligible extra-marital target, the Kama Sutra
instructs him to woo her with all the focus and creativity
he would bring to courting a virgin, except that in the
case of another man’s wife, he had to be more stealthy and
deceptive, which made the chase all the more exciting and
intellectually diverting.
Of course, if a man seduced another man’s wife, chances
were good that some other sexually itchy gent might decide
to seduce his. In fourth-century India, wives were expected
to be faithful, but with so many men getting action on the
side, many wives must also have been cheating. The Kama
Sutra concludes its discussion of extra-marital affairs by
saying that it does not advocate philandering, but rather
seeks to prevent it by describing all the ways libidinous
lotharios might cuckhold them in order to warn husbands
worried about their wives’ wandering eyes. Given the
extraordinary detail with which the Kama Sutra describes
infidelity, I doubt that any fourth-century reader believed
this. (The Kama Sutra does not discuss how a husband should
deal with a wife’s infidelities, but I doubt all she got
was a scolding.)
In the end, the Kama Sutra describes a highly sexual world,
one that does not condemn unbridled pleasure as our culture
does, but prefers amoral pleasure that’s somewhat
restrained simply because it’s easier for all concerned.
It’s a sexual world committed to erotic tenderness, yet
capable of casual cruelty, a lusty world that venerated sex
for its own sake, not just for procreation.
What good is the Kama Sutra today? The book deals with many
of the erotic and relationship concerns we have. It’s about
love, lust, flirtation, courtship, seduction, rejection,
marriage, and sexual power, manipulation, and deceit. It
presents a vision of the lives many 21st century Americans
are struggling to create, lives that are simultaneously
safe, sane, and erotically rich. In reading the Kama Sutra,
we enter the bedrooms of 1,600 years ago—and find
reflections of ourselves.
_________
The Best Kama Sutra Products
“Ancient Secrets of the Kama Sutra: The Classic Art of
Lovemaking,” Quite possibly the best instructional video
about lovemaking.
Kama Sutra: The Game. An enjoyable combination of intimate
conversation and physical intimacy.
Both are available from sex toy marketers. Visit
Xandria.com.